
Editor’s Note

“Kung di rin tayo sa huli, aawatin ang sarili na umibig pang muli,” these are the lines to one of my favorite OPM songs nowadays, “Kung Di Rin Lang Ikaw” by December Avenue ft. Moira Dela Torre. In recent years, I have been into K-pop and has been constantly listening to it ever since 2017. I became attracted to the upbeat rhythm, catchy melodies, and memorable dance moves that has been the staple and backbone of the genre since the early 1980’s – 1990’s. But although these things have drawn me into the genre for the first time and has made me a die-hard K-pop fan, it can never fulfill what OPM, or Original Pinoy Music, can offer – hugot lyrics infused with our very own Filipino culture. It’s what makes Filipinos continue to “love local;” even though famous American songs play with OPM sings side by side at the radio, in karaoke, and in social gathering, OPM will always have a special place in our hearts because it’s what makes us who we are.
I vividly remember as a kid, during the summer, we used to listen to the radio every day while eating lunch. And the songs they would usually play were OPM, probably because the station itself was the kind of jologs station where the DJ’s cracked corny Pinoy jokes at the listeners then play a laughing sound effect for more effectiveness, gave them love advice, and counted backwards to number one the most played songs of the week. I loved listening to the songs; oftentimes you can catch me singing along even though I wasn’t entirely sure what the lyrics were. But I realized that I loved listening to OPM songs even more when I hear them play during pivotal or dramatic scenes in teleseryes or films. The emotional impact of the song doubled, sometimes even tripled, because the scenes became a visual representation of the song so it was a holistic experience that I cherished so much. It was one of the reasons why I wanted to pursue a career in film. I even remember by Mom buying a complete CD of the music videos of famous OPM artists back then like Rachel Ann Go, Mark Bautista, and Christian Bautista – and some who are still popular nowadays like Sarah Geronimo and Regine Velasquez. I enjoyed listening to them sing; I have always admired how well they control their breathing, their voices at the beginning of the song, and most especially how they would belt out the chorus near the end. There was no doubt in my mind that Filipino talent deserves to gain international recognition.
It is because of this vision that my team and I decided to tackle this particular topic in this current issue – to shed the spotlight on OPM and aspiring Pinoy artists who want their music – their himig – to be heard. As music enthusiasts ourselves, our team wanted to tackle something close to our heart, so why not choose something close to our identity as well? We realized that well-known names in the local music scene did not make it to where they are now overnight. Some – like December Avenue, which we will discuss in one of our articles – began as early as 2007, but did not gain widespread recognition until around 2016 when they released their first full-length album. Our team wanted to see the stories behind the artists: who they are, how they started their musical journey and where they wish to be in the next 5 years. We are hoping that, somehow, through this issue, we will be able to give them the opportunity to let their story be heard.
To our readers, it is an honor to be read by you. May every page in this issue instill in you a greater appreciation for Original Pinoy Music as we take you back to its beginning, subsequent fall and rise, and its current state – discussing the new breed of artists and songwriters that are making waves with their hit songs constantly played on the radio. We hope that our featured stories will hit a chord in you as you gain insights beyond the hugot lines and the top charts and see the story behind the music. Finally, we hope through this that you will wholeheartedly embrace your Filipino identity, an identity shaped by a rich culture and complex society riddled with struggles that weigh heavy on our backs, but not our hearts, whether it’s about breakups, hopelessness or despair.
Gillian Agan


















